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<item xmlns="http://omeka.org/schemas/omeka-xml/v5" itemId="758" public="1" featured="0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://cottonhistories.com/items/show/758?output=omeka-xml" accessDate="2026-10-17T04:23:53+00:00">
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      <src>https://cottonhistories.com/files/original/ab5914d521db01a3acdeeb175e859e76.jpg</src>
      <authentication>070c5b702bd8fffb2674333e23307a19</authentication>
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  <itemType itemTypeId="6">
    <name>Still Image</name>
    <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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    <elementSet elementSetId="1">
      <name>Dublin Core</name>
      <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
          <elementTextContainer>
            <elementText elementTextId="2526">
              <text>Nov. 15, 1912 A</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="49">
          <name>Subject</name>
          <description>The topic of the resource</description>
          <elementTextContainer>
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              <text>Pawtucket, R.I.  Lafayette’s House.  Built in 1700  </text>
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        <element elementId="41">
          <name>Description</name>
          <description>An account of the resource</description>
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              <text>Notes:

One cumulative impression to be drawn from these cards is the dawning historical sensibility of the age.  People looked around and saw vestiges of the past that they wished to capture in images.  This sensibility doesn’t necessarily translate into architectural preservation, however.  Layfayette’s House (to my knowledge) didn’t get the special treatment that eventually Slater’s Mill would.  

So, clearly, Olney’s in the service as of this date.  

Compare Emma’s card to this one published by Bosselman (I think).  It gives you some sense of the style that characterized the Leighton cards as well as the majority of the other Pawtucket images (for which we haven’t any identification of the manufacturer):
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          <name>Publisher</name>
          <description>An entity responsible for making the resource available</description>
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              <text>The Hugh C. Leighton Co., Manufacturers, Portland, Me.  U.S.A.  </text>
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